Ojo Latino is a series by Néstor Sánchez Cordero
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1000 words
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Ojo Latino is a series by Néstor Sánchez Cordero. This special edition features the “National Night Out in Mount Pleasant on Tuesday evening. People were having a blast, there was music, friendly cops, opened fire hydrants, funky music and Afro Cuban drumming and dancing, Mayor Fenty and Councilman Graham, happy neighbors and even Spider Man!!!”. Néstor says, “Images are around, the secret is to catch them at the right moment and with the right light…”
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Photo by Néstor Sánchez Cordero (more…)
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Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda. You can see previous “Tough” entries here.
The series of portraits are all from 2009 and loosely called “TOUGH”, in a homage to NY street photographers Joel Meyerowitz and Gary Winogrand.
In the book “Bystander: A History of Street Photography”, Joel Meyerowitz talks about shooting with Gary Winogrand.
Meyerowitz talks about what makes an image “Tough”.
“Tough” was a term we used to use a lot. Stark, spare, hard, demanding, tough: these were the values that we applied to the act of making photographs.
Tough meant the image was uncompromising. It was something made out of your guts, out of your instinct, and it was unwieldy in some way, not capable of being categorized by ordinary standards. So it was tough. It was tough to like, tough to see, tough to make, tough to draw meaning from. It wasn’t what most photographs looked like. … It was a type of picture that made you uncomfortable sometimes. You didn’t quite understand it. It made you grind your teeth.
At the same time, though you knew it was beautiful, because tough also meant that – it meant beautiful too. … The two words – “tough” and “beautiful” –became synonyms somehow. They were what street photography was all about.
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I love this shot from M.V. Jantzen titled, “Figuring It Out”. Jantzen describes the scene:
“One of the new multi-space meters on 7th St NW, between the Smithsonian Reynolds Center and the Verizon Center. A few groups converged to get tickets at the same time, each one taking a while to figure out how the machines work.”
Submit your photos via email or to the PoPville flickr pool here.
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This guy was playing a mean air guitar on the corner of Florida and Georgia/7th. This is the same corner as the spot where the drunk lady was singing play that funky music white boy, last August, and laughed hysterically when I walked by.
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Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda. You can see previous “Tough” entries here.
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Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda.
One more after the jump. (more…)
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Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda.
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