Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda. Matt previously featured a portrait series on PoP called “Tough”, archived entries can be found hereDisposition is his current portrait series. He writes:

“A person’s disposition is one’s personal temperament, or according to Webster, one’s prevailing tendency, mood, or inclination. I am interested in how does each person I photograph copes with life in DC at the end of the decade, the year 2009. I hope to reveal each individual’s disposition in this series of portraits. This week features portraits from the Tea Party Protest on 9-12-2009.”


I saw this on New Hampshire Ave just south of Georgia. It looks like there was an eviction. But it was gigantic, I couldn’t get all the items in one photo. It nearly stretched the whole block. It’s so sad that things get to this level.

Incidentally there was an article in the San Francisco Chronicle that says:

“Next year, many option ARM payments will begin to readjust, slamming borrowers with dramatically higher monthly mortgage bills. Analysts say that could unleash the next big wave of foreclosures – and home-loan data show that the risky loans were heavily used in the Bay Area.”

Hopefully this doesn’t hit the DC area to hard. Whatever the reason, it is truly heartbreaking to see the scene in the photo above.


Ojo Latino is a series by Néstor Sánchez Cordero. This week features a runway show from the H Street, NE Festival that took place on Saturday. Nestor was unable to get the names of the designers so if anyone went and recalls who they were please leave their names in the comments. Néstor says, “Images are around, the secret is to catch them at the right moment and with the right light…”

Four more beautiful shots after the jump. (more…)


I needed a photo like this after a pretty gray few days. Have a great weekend!


Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda. Matt previously featured a portrait series on PoP called “Tough”, archived entries can be found hereDisposition is a new portrait series. He writes:

“I have started a new portrait series called “Disposition”. A person’s disposition is one’s personal temperament, or according to Webster, one’s prevailing tendency, mood, or inclination. I am interested in how does each person I photograph copes with life in DC at the end of the decade, the year 2009. I hope to reveal each individual’s disposition in this series of portraits.”


Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000.


Ojo Latino is a series by Néstor Sánchez Cordero


Ojo Latino is a series by Néstor Sánchez Cordero. This special edition features the “National Night Out in Mount Pleasant on Tuesday evening.  People were having a blast, there was music, friendly cops, opened fire hydrants, funky music and Afro Cuban drumming and dancing, Mayor Fenty and Councilman Graham, happy  neighbors and even Spider Man!!!”. Néstor says, “Images are around, the secret is to catch them at the right moment and with the right light…”


Matt Dunn, originally from the Bronx, NY, lives in Shaw and has been a freelance photographer since June 2000. Matt’s work has been published in the New York Times, Spin Magazine, Mother Jones, Washington City Paper and other publications. He has work on photo projects internationally in Haiti, Cuba, India and Uganda. You can see previous “Tough” entries here.

The series of portraits are all from 2009 and loosely called “TOUGH”, in a homage to NY street photographers Joel Meyerowitz and Gary Winogrand.

In the book “Bystander: A History of Street Photography”, Joel Meyerowitz talks about shooting with Gary Winogrand.

Meyerowitz talks about what makes an image “Tough”.

“Tough” was a term we used to use a lot. Stark, spare, hard, demanding, tough: these were the values that we applied to the act of making photographs.

Tough meant the image was uncompromising. It was something made out of your guts, out of your instinct, and it was unwieldy in some way, not capable of being categorized by ordinary standards. So it was tough. It was tough to like, tough to see, tough to make, tough to draw meaning from. It wasn’t what most photographs looked like. … It was a type of picture that made you uncomfortable sometimes. You didn’t quite understand it. It made you grind your teeth.

At the same time, though you knew it was beautiful, because tough also meant that – it meant beautiful too. … The two words – “tough” and “beautiful” –became synonyms somehow. They were what street photography was all about.


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