Essays, personal meditations, and images that explore water in all its renewing, destructive, corrosive, and connecting power
Water and its transmutations link the contributions in Art & Water, the second volume in the series Art & from the Center for Advanced Study in the Visual Arts at the National Gallery of Art. The series situates the study of art at the intersection of various disciplines—here, they include modernist literature, poetry, film, and both natural and built environments. Essayists use water to address hydrolatry practices in India; ritual objects and practices of enslaved Afro-Surinamers; traces of millstones in the architecture of Seville; and visualizations of sea-level change in the nineteenth-century United States. Their research places art within broader conversations in the humanities considering a water-oriented rather than terrestrial historical framework.
The book is enlivened by first-person narratives that examine deeply embedded meanings of water. Continuing the series’ tradition of exciting book design, an enclosed poster from Brazilian multimedia artist Aline Motta addresses ancestry, memory, and belonging across the Black Atlantic while compellingly conjuring water’s capacity to transform, bring together, and renew. Water as a connective theme offers a fitting lens to advance understandings of how art, as both material object and practice, remains entangled with the natural, supernatural, and scientific—and, like water, remains inseparable from our daily lives.
Distributed for the National Gallery of Art, Center for Advanced Study in the Visual Arts
Roberto Tejada is an award-winning poet and the author of art histories that include Along the Diagonal: Art / Essays / América (2026), National Camera: Photography and Mexico’s Image Environment (2009) and Celia Alvarez Muñoz (2009), as well as the poetry collections Carbonate of Copper (2025), Why the Assembly Disbanded (2022) and Exposition Park (2010). A Guggenheim Fellowship recipient, Tejada serves as the Hugh Roy and Lillie Cranz Cullen Distinguished Professor at the University of Houston, where he teaches creative writing and art history.
Christina Wiginton is an art book publishing specialist focused on color-critical print production for visually ambitious museum publications and nonfiction books. She has worked extensively in illustrated book development, first at the Smithsonian Institution and now at the National Gallery of Art.
Tejada and Wiginton will be in conversation with Kaira M. Cabañas, the award-winning author of several volumes, including Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art (2021), which received the College Art Association’s Frank Jewett Mather Award. Her previous work, Learning from Madness: Brazilian Modernism and Global Contemporary Art (2018), was recognized as a finalist for the Modernist Studies Association Book Prize. Since 2023, she has served as Associate Dean for Academic Programs and Publications at the National Gallery of Art’s Center for Advanced Study in the Visual Arts.