Event

I’ll meet you there – A city-wide roving exhibition of contemporary video featuring Stephanie J. Williams, Jermaine “jET” Carter, Edgar Reyes, and A.J. McClenon

Hamiltonian Artists and The Nicholson Project, two arts organizations dedicated to fostering emerging and mid-career artists, present I’ll meet you there a sweeping six-month city-wide exhibition. Showcasing the work of artists from the D.C. region, Stephanie J. Williams, Jermaine “jET” Carter, Edgar Reyes, and A.J. McClenon, I’ll meet you there features video works that consider what it means to inhabit a space of uneasy familiarity—recognizable, yet quietly destabilizing. On view March 16 – August 15, 2026, the exhibition unfolds across Washington, DC, using storefront video screenings, outdoor mural installations, and a traveling 20-foot video billboard truck that transforms the city itself into a moving gallery.

The truck showing I’ll meet you there will be parked in our circular forecourt on July 11th and August 15th from 1:00pm-3:00pm. The Field School will be available for parking, located at 2301 Foxhall Road NW.

On July 11th, from 1:00 to 3:00 PM, the video truck will be parked at The Kreeger Museum for a special screening of Edgar Reyes’, Los Vemos Pronto (See You Soon). Inspired by contemporary Aztec dancers, Reyes uses symmetry and movement to reflect on the nature of borderlands. Mirrored visuals challenge boundaries placed on nature, creating a surreal space where ancestral memory and human expansion converge. Patterns in nature set the pace and rhythms of our existence. Growing up near the Potomac River sparked Reyes’ interest in the wildlife that calls this region home. Through the flow of seasons, various birds and insects instinctively migrate to the DC-metro region seeking refuge. Reyes’ work explores the tension between land as a sanctuary and a border. While we may tend and nurture the Earth, we also continue to exploit our environment through tools of displacement and control. By layering rhythmic visuals of plants and landscapes, Reyes hopes viewers connect with the Earth’s restorative patterns.